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Stephen Baldwin Takes on Hollywood--sort of

Stephen Baldwin Takes on Hollywood, (Sort of)

Stephen Baldwin,  the good brother in the Baldwin clan, thinks Hollywood sucks. 

 

He didn’t quite put it that way but that’s essentially how he seems to feel regarding the excessive violence and sexual themes prevalent in movies produced in Hollywood:  http://www.cnsnews.com/public/content/article.aspx?RsrcID=44591.

That’s really not news to anyone who lays out ten bucks or more at their local movie house or to people who rent their flicks from Blockbuster or Netflix.  What is a revelation is Baldwin’s allegations as to why the crap fills so many of America’s big screens and home theater screens. 

I should qualify that comment.  Many of us are fully aware of the reasons Hollywood consistently churns out violent and trashy garbage, and it’s not because they are moneymakers.  In actuality, family fare films return far more profit to movie studios.

What then is the rationale for refusing to film more family flicks if not the almighty dollar?  Asked a question specific to the Oscar awarded to Milk and whether, like Brokeback Mountain, which won 3 academy awards in 2006, Milk won because of its homosexual theme, Baldwin says it’s because, “Hollywood and the Academy has [sic] an agenda every year.”

Good gracious!  Is he charging that there is a conspiracy on the Left Coast?  Is he alleging there is some kind of “moral issue” driving producers to turn out more and more films featuring graphic sex and violence?  Is he contending that there’s a Hollywood cabal that is interested more in corrupting the minds and souls of moviegoers, especially young moviegoers’ minds and souls, than in producing wholesome films?

Baldwin’s answer is, yes, to all of the above.

Baldwin forthrightly says, “I think that a small core group of individuals that make a lot of the decisions about what that content is going to be are in charge.”  He adds that, “80 percent of [that content] is negative and violent and immoral and 20 percent of it is positive and happy and friendly and joyous and family [and] that’s an imbalance.”

No kidding, Stephen, an imbalance that greed can’t explain since that 20 percent adds far more to the bottom line per picture than the 80 percent.

Baldwin went on to explain...

(Read the rest of this article at http://genelalor.com/.)

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AMERICAN BEAUTY

 

I rarely devote this space to anything but political matters but hereby make an exception for a movie review, of sorts.

American Beauty is classified as a comedy by Moviefone, which is ironically comedic in and of itself. Even describing it as a black comedy—a term which will definitely be declared non-PC and banned if Obama becomes our president—doesn’t satisfactorily describe this flick. Films such as Fight Club, Natural Born Killers, the Kill Bill series all plumb the depths of Hollywood’s collective and twisted violent psyche. American Beauty exposes the depths of Tinsel Town’s despair.

This now-8 year old film is truly an exceptional excursion into nihilism, even for Hollywood. It succeeds in portraying a middle class America that is so superficial and devoid of redeeming value that life itself is rendered meaningless. The protagonist is so riddled with angst that he makes angst seem like fun.

The Cast of Characters:

Lester—suicidal middle aged failure in a corrupt corporate world; fantasizes about pedophilia

Carolyn—his cold, distant wife who beds an associate to get ahead, becomes intrigued with pistols

Jane—their depressed, teen daughter who hates her parents and beds her teen neighbor

Ricky—the drug dealing, borderline-Columbine neighbor kid, who offers to kill Lester for Jane

Angela—Jane’s bff, pretty, shallow, promiscuous, airhead whose conceit betrays her self-doubt

Colonel Fitts—Ricky’s dad, brutal gun-loving Marine, latent homosexual

The plot is almost irrelevant and can easily be surmised from the cast of characters: Lester quits his meaningless job, gets another job slapping up burgers, discovers Carolyn’s affair, lusts after Angela, spares Angela from penetration when she says she’s a virgin, gets hit on by the colonel who initially suspected he was Ricky’s homosexual lover, has his brains blown out by said colonel, and dies with a contented smile on his face.

American Beauty manages to denigrate not only middle class America, but corporate life, America’s teens, and even the Marine Corps.

I can’t say American Beauty wasn’t a bad watch. Hey, even my wife called it “good” and it garnered a slew of Academy Awards and Oscars can’t be wrong, right? What always strikes me, though, is the Hollywood penchant for depicting others as dysfunctional when there are more dysfunctional people per square mile in Hollywood than anywhere else on the planet!

When can we expect to see Hollywood Beauty?  Much of it could be shot in rehab facilities.

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